Post by Phoenix Roost on Sept 30, 2015 23:07:02 GMT
WAKAHISA KOTONE
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HANDLER INFORMATION
------------------------------
Name:
Jacob (I also answer to “Kaji”)
Age:
28
Years as an E-Fedder:
10
Twitter Account:
@beautyofbrawn
If asked, would you be able to help the staff write matches?:
Maybe? I’d need to see the show format first.
HANDLER INFORMATION
------------------------------
Name:
Jacob (I also answer to “Kaji”)
Age:
28
Years as an E-Fedder:
10
Twitter Account:
@beautyofbrawn
If asked, would you be able to help the staff write matches?:
Maybe? I’d need to see the show format first.
--------------------------
JOSHI INFORMATION
--------------------------
Real Name:
Wakahisa Kotone (Japanese order)
Ring Name:
Wakahisa Kotone
Nickname(s):
N/A
Height:
5’ 6”
Weight:
176 pounds
Picture Base:
Tomoko Konda
Date of Birth:
10/18/1977
Hometown:
Yokosuka, Kanagawa Prefecture, Japan
Alignment:
Tweener
Wrestling Style:
Power
Strengths (At least 2):
Power -- Compared to most women (arguably most people in general), Kotone is massive. She has a clear strength advantage against almost anyone she steps into the ring with.
Heart -- Kotone has been defying conventions all her life. She will not roll over and die for anybody, continuing to fight long after she could reasonably have been expected to quit.
Weaknesses (At least 2):
Experience -- Kotone is older than most of her fellow joshi, but she has not wrestled before. If she is wrestling someone with even a minor level of experience, that makes her more experienced than Kotone, so she’s perfectly capable of being outwrestled.
Agility -- Kotone is hardly the fastest woman alive. Additionally, she will never leave her feet of her own accord, so high fliers will absolutely confound her. Fast wrestlers who stay on the ground can also disorient her, but she will adapt to this much more easily.
Age -- To put it bluntly, Kotone is not a spring chicken anymore. She is mature, yes, but that doesn’t change the fact that she’s way closer to “old” than the other Seishin joshi. Yes, her body might well resist injury and rebound faster than other women her age, but she’s going to lose the war of attrition. It’s just a fact, Jack.
JOSHI INFORMATION
--------------------------
Real Name:
Wakahisa Kotone (Japanese order)
Ring Name:
Wakahisa Kotone
Nickname(s):
N/A
Height:
5’ 6”
Weight:
176 pounds
Picture Base:
Tomoko Konda
Date of Birth:
10/18/1977
Hometown:
Yokosuka, Kanagawa Prefecture, Japan
Alignment:
Tweener
Wrestling Style:
Power
Strengths (At least 2):
Power -- Compared to most women (arguably most people in general), Kotone is massive. She has a clear strength advantage against almost anyone she steps into the ring with.
Heart -- Kotone has been defying conventions all her life. She will not roll over and die for anybody, continuing to fight long after she could reasonably have been expected to quit.
Weaknesses (At least 2):
Experience -- Kotone is older than most of her fellow joshi, but she has not wrestled before. If she is wrestling someone with even a minor level of experience, that makes her more experienced than Kotone, so she’s perfectly capable of being outwrestled.
Agility -- Kotone is hardly the fastest woman alive. Additionally, she will never leave her feet of her own accord, so high fliers will absolutely confound her. Fast wrestlers who stay on the ground can also disorient her, but she will adapt to this much more easily.
Age -- To put it bluntly, Kotone is not a spring chicken anymore. She is mature, yes, but that doesn’t change the fact that she’s way closer to “old” than the other Seishin joshi. Yes, her body might well resist injury and rebound faster than other women her age, but she’s going to lose the war of attrition. It’s just a fact, Jack.
-------------------------------
ENTRANCE INFORMATION
-------------------------------
Entrance Music:
“The Power” -- NoGoD
Entrance Description:
“The Power” plays over the loud speaker, and the intro plays for about seven seconds before the drums kick in. This is Kotone’s cue, and she walks out onto the stage. She strides down to the ring at a brisk pace, eager to perform for a new audience. She walks up the stairs and steps into the ring, stretching in the corner as she prepares for the match ahead.
ENTRANCE INFORMATION
-------------------------------
Entrance Music:
“The Power” -- NoGoD
Entrance Description:
“The Power” plays over the loud speaker, and the intro plays for about seven seconds before the drums kick in. This is Kotone’s cue, and she walks out onto the stage. She strides down to the ring at a brisk pace, eager to perform for a new audience. She walks up the stairs and steps into the ring, stretching in the corner as she prepares for the match ahead.
------------------------------
MOVESET INFORMATION
------------------------------
Common Moves (Up to 20):
Body Slam
Gorilla Press Slam
Powerslam
Vertical Suplex (often stalling)
German Suplex
Belly-to-Belly Suplex
Sleeper Hold
Bearhug
Headscissors
Body Scissors
Signature Moves (Up to 3):
Stiff Lariat
Straight-jacket German Suplex
Sleeper Hold w/ Body Scissors a.k.a. Rear Naked Choke
Finishing Moves (Up to 3):
Package Piledriver
Swiss Death
MOVESET INFORMATION
------------------------------
Common Moves (Up to 20):
Body Slam
Gorilla Press Slam
Powerslam
Vertical Suplex (often stalling)
German Suplex
Belly-to-Belly Suplex
Sleeper Hold
Bearhug
Headscissors
Body Scissors
Signature Moves (Up to 3):
Stiff Lariat
Straight-jacket German Suplex
Sleeper Hold w/ Body Scissors a.k.a. Rear Naked Choke
Finishing Moves (Up to 3):
Package Piledriver
Swiss Death
---------------
BIOGRAPHY
---------------
Kotone was born in Yokosuka to a salaryman and a full-time housewife. By all accounts, this was a normal existence, with her father working long hours for his company and supporting the family, and her mother staying home to raise her.
Kotone hated it.
She was burdened with that ever-problematic curse of being a woman not satisfied to be ordinary in a country that practically demands it of you. Luckily every year taking Japan further and further away from World War II loosens those societal bonds and expectations just a little bit, and her lack of giving a damn what others thought of her pushed her the rest of the way towards her dream.
To make the long story shorter, she entered the sport of bodybuilding, and at 21, she was overseas in America appearing in contests. She wasn’t bad. She was good enough to get sponsored and make money, but after about ten years, she stopped entering contests to focus on other things. Several years of personal training and consulting later, she has grown restless. She’s kept herself in shape, but she wants to do something different.
So why not another sport that embraces the unconventional and extreme? And why not a promotion that seems to emphasize beauty as well as athleticism? Just another way to defy convention.
BIOGRAPHY
---------------
Kotone was born in Yokosuka to a salaryman and a full-time housewife. By all accounts, this was a normal existence, with her father working long hours for his company and supporting the family, and her mother staying home to raise her.
Kotone hated it.
She was burdened with that ever-problematic curse of being a woman not satisfied to be ordinary in a country that practically demands it of you. Luckily every year taking Japan further and further away from World War II loosens those societal bonds and expectations just a little bit, and her lack of giving a damn what others thought of her pushed her the rest of the way towards her dream.
To make the long story shorter, she entered the sport of bodybuilding, and at 21, she was overseas in America appearing in contests. She wasn’t bad. She was good enough to get sponsored and make money, but after about ten years, she stopped entering contests to focus on other things. Several years of personal training and consulting later, she has grown restless. She’s kept herself in shape, but she wants to do something different.
So why not another sport that embraces the unconventional and extreme? And why not a promotion that seems to emphasize beauty as well as athleticism? Just another way to defy convention.
--------------------
MISCELLANEOUS
--------------------
Taunts (Up to 3):
Various poses and flexes, both to hype up the crowd (or psyche out her opponent) and as a call back to her previous profession.
Notes (Up to 3):
Nothing I can think of, but if it changes I’ll let you know.
MISCELLANEOUS
--------------------
Taunts (Up to 3):
Various poses and flexes, both to hype up the crowd (or psyche out her opponent) and as a call back to her previous profession.
Notes (Up to 3):
Nothing I can think of, but if it changes I’ll let you know.
