Post by Michiko Yamada on Sept 7, 2015 23:07:32 GMT
[ MICHIKO YAMADA ]
------------------------------
HANDLER INFORMATION
------------------------------
Name:
Sam
Age:
27
Years as an E-Fedder:
18 or so
Twitter Account:
@michiyapuro
If asked, would you be able to help the staff write matches?:
Probably not, I’m not great at matches
HANDLER INFORMATION
------------------------------
Name:
Sam
Age:
27
Years as an E-Fedder:
18 or so
Twitter Account:
@michiyapuro
If asked, would you be able to help the staff write matches?:
Probably not, I’m not great at matches
--------------------------
JOSHI INFORMATION
--------------------------
Real Name:
Ishikawa Miharu
Ring Name:
Yamada Michiko
Nickname(s):
The Anti-Product (not a formal nickname, not used in her entrance or anything)
Height:
5’3”
Weight:
131 lbs
Picture Base:
Act Yasukawa
Date of Birth:
19 June 1991
Hometown:
Saku, Nagano, Japan
Alignment:
Heel
Wrestling Style:
Brutal, brawler
Strengths (At least 2):
1) Technique: Despite her penchant for violence, she’s good enough in the ring. She’s no technical marvel, but she’s a solid grappler.
2) Tolerance for Pain: Michiko actually enjoys the sensation of pain; a punch to the mouth isn’t something that will put her off, and a submission would have to be wrenched or in the perfect position for her to tap.
3) Hatred for Joshi: Michiko has a profound hatred for Japanese female wrestlers. She’s never explained why, but she works particularly brutally against other Japanese opponents.
Weaknesses (At least 2):
1) Tunnel-Visioned: Her want for violence sometimes causes her to miss opportunities to put her opponents away, or cost herself victories by keeping the punishment up rather than go for a win (cranking submissions after the match, assault with weapons in regular matches, etc.).
2) Injuries: A consequence of her tolerance for pain is that Michiko has sustained a few injuries in her relatively short career, including a documented separated left shoulder that she’s not been able to get repaired yet. She’ll deal with submissions, fight through blood loss, wear herself out to the point of collapsing all for the sake of the fight, but her body is wearing down already because of it.
3) Too Aggressive: In the heat of the fight, Michiko sometimes forsakes her technique in favor of just executing a move to punish an opponent. It may not be as pretty, or do as much damage, but she can always go back to it—or something else. This is especially the case when her opponent is a fellow Japanese competitor.
JOSHI INFORMATION
--------------------------
Real Name:
Ishikawa Miharu
Ring Name:
Yamada Michiko
Nickname(s):
The Anti-Product (not a formal nickname, not used in her entrance or anything)
Height:
5’3”
Weight:
131 lbs
Picture Base:
Act Yasukawa
Date of Birth:
19 June 1991
Hometown:
Saku, Nagano, Japan
Alignment:
Heel
Wrestling Style:
Brutal, brawler
Strengths (At least 2):
1) Technique: Despite her penchant for violence, she’s good enough in the ring. She’s no technical marvel, but she’s a solid grappler.
2) Tolerance for Pain: Michiko actually enjoys the sensation of pain; a punch to the mouth isn’t something that will put her off, and a submission would have to be wrenched or in the perfect position for her to tap.
3) Hatred for Joshi: Michiko has a profound hatred for Japanese female wrestlers. She’s never explained why, but she works particularly brutally against other Japanese opponents.
Weaknesses (At least 2):
1) Tunnel-Visioned: Her want for violence sometimes causes her to miss opportunities to put her opponents away, or cost herself victories by keeping the punishment up rather than go for a win (cranking submissions after the match, assault with weapons in regular matches, etc.).
2) Injuries: A consequence of her tolerance for pain is that Michiko has sustained a few injuries in her relatively short career, including a documented separated left shoulder that she’s not been able to get repaired yet. She’ll deal with submissions, fight through blood loss, wear herself out to the point of collapsing all for the sake of the fight, but her body is wearing down already because of it.
3) Too Aggressive: In the heat of the fight, Michiko sometimes forsakes her technique in favor of just executing a move to punish an opponent. It may not be as pretty, or do as much damage, but she can always go back to it—or something else. This is especially the case when her opponent is a fellow Japanese competitor.
-------------------------------
ENTRANCE INFORMATION
-------------------------------
Entrance Music:
STRAPPING YOUNG LAD – THE ANTIPRODUCT
Entrance Description:
ENTRANCE INFORMATION
-------------------------------
Entrance Music:
STRAPPING YOUNG LAD – THE ANTIPRODUCT
Entrance Description:
The lights in the arena shut off, drawing a momentary, anticipatory murmur from the audience, before two emphatic drum beats fill the PA system, accompanied by a pair of strobe light flashes. Strapping Young Lad’s “Antiproduct” cues up, two more drum beats hitting before the song kicks off, again accompanied by the flashing strobes. The tempo of the song quickens, and a voice mumbles something behind the aggressive guitar playing.
[align=center][color=darkred][b][size=15]I AM THE ANTIPRODUCT[/size][/b][/color][/align]
The lights return to full power as the first verse of the song kicks in, but for a moment, the audience is left waiting. Eventually, the curtain’s pushed aside, and from behind it steps Michiko Yamada. She stops at the head of the ramp, turning to glance at either side of the stage, almost expressionless, undoing the one button of her robe before pacing her way down to the ring in no particular hurry. She pauses at the edge of the ring apron, shrugging the robe off her shoulders before sliding under the bottom rope, moving to the nearest corner and just settling back against it.------------------------------
MOVESET INFORMATION
------------------------------
Common Moves (Up to 20):
- Bridging Backdrop Suplex
- Butterfly Suplex
- Sidekick to Opponent’s Knee
- Dropkick to Seated Opponent’s face
- Facewash to Cornered Opponent
- German Suplex (sometimes with a bridge)
- Head-Pull Backbreaker
- Inverted Facelock Backbreaker
- Northern Lights Suplex
- Roundhouse Kick to Opponent’s Head (if opponent is significantly taller than her, it will have to be on the ground)
- Snap DDT
- JOSHI SPECIFIC: Exploder Suplex into Turnbuckle
- JOSHI SPECIFIC: Running Single Leg Dropkick (Roderick Strong’s Sick Kick)
- JOSHI SPECIFIC: Stalling Brainbuster
- JOSHI SPECIFIC: Tiger Bomb into Pin
- JOSHI SPECIFIC: Triangle Choke with Repeated Elbows
NOTE: Joshi Specific means it will only be used against Japanese competition. Unless a rivalry with a foreigner escalates, she won’t use those moves against them.
Signature Moves (Up to 3):
1) Stiff Knee to face or back of the head (Boma Ye)
2) Muta Lock
3) Double Stomp to the Back of the Head
Finishing Moves (Up to 3):
1) Jigoku no Me (Eye of Hell): Spinning Impaler
2) The Anti-Product I: Michiko grabs a Greco-Roman knuckle lock, taking her opponent over with a monkey flip. She follows them through, keeping the knuckle lock, and rolling to her feet, lifting her opponent’s head off the mat and repeatedly stomping them back down. (for an idea)
NOTE: This move is reserved for people she has genuine hatred for, not her general apathy in regards to most wrestlers. To date, she has only used it once since coming up with the move.
3) The Anti-Product II: Michiko grabs a Greco-Roman knuckle lock, while bracing her foot against the chin of her opponent. She sits back to hit a stomp facebreaker, but rather than let the opponent fall, she pulls their arms in tight, keeping her leg locked out, and throws kicks at her opponent until they fall or the ref stops her.
NOTE: This move technically doesn’t exist yet, and won’t until/unless Anti-Product is used and doesn’t finish an opponent. I just wanted to post this in case it comes up.
MOVESET INFORMATION
------------------------------
Common Moves (Up to 20):
- Bridging Backdrop Suplex
- Butterfly Suplex
- Sidekick to Opponent’s Knee
- Dropkick to Seated Opponent’s face
- Facewash to Cornered Opponent
- German Suplex (sometimes with a bridge)
- Head-Pull Backbreaker
- Inverted Facelock Backbreaker
- Northern Lights Suplex
- Roundhouse Kick to Opponent’s Head (if opponent is significantly taller than her, it will have to be on the ground)
- Snap DDT
- JOSHI SPECIFIC: Exploder Suplex into Turnbuckle
- JOSHI SPECIFIC: Running Single Leg Dropkick (Roderick Strong’s Sick Kick)
- JOSHI SPECIFIC: Stalling Brainbuster
- JOSHI SPECIFIC: Tiger Bomb into Pin
- JOSHI SPECIFIC: Triangle Choke with Repeated Elbows
NOTE: Joshi Specific means it will only be used against Japanese competition. Unless a rivalry with a foreigner escalates, she won’t use those moves against them.
Signature Moves (Up to 3):
1) Stiff Knee to face or back of the head (Boma Ye)
2) Muta Lock
3) Double Stomp to the Back of the Head
Finishing Moves (Up to 3):
1) Jigoku no Me (Eye of Hell): Spinning Impaler
2) The Anti-Product I: Michiko grabs a Greco-Roman knuckle lock, taking her opponent over with a monkey flip. She follows them through, keeping the knuckle lock, and rolling to her feet, lifting her opponent’s head off the mat and repeatedly stomping them back down. (for an idea)
NOTE: This move is reserved for people she has genuine hatred for, not her general apathy in regards to most wrestlers. To date, she has only used it once since coming up with the move.
3) The Anti-Product II: Michiko grabs a Greco-Roman knuckle lock, while bracing her foot against the chin of her opponent. She sits back to hit a stomp facebreaker, but rather than let the opponent fall, she pulls their arms in tight, keeping her leg locked out, and throws kicks at her opponent until they fall or the ref stops her.
NOTE: This move technically doesn’t exist yet, and won’t until/unless Anti-Product is used and doesn’t finish an opponent. I just wanted to post this in case it comes up.
---------------
BIOGRAPHY
---------------
Miharu Ishikawa was born on 19 June 1991, a full month ahead of when she was due, to journeyman wrestler Kazuma Ishikawa and his wife Ayumi. Her premature birth resulted in Miharu being considerable smaller than the rest of her friends and classmates. At first, it was treated as something cute, she’d get teased a bit but nothing more; as the years passed and her friends grew, while she didn’t so much, it quickly became less teasing, more taunting the diminutive girl...which, in turn, led to Miharu developing a sense of competition in everything--academics, athletics, it didn’t matter. Miharu was determined to be the best at it.
Unfortunately, academically, she was never tremendously bright...not dumb, but not going to be top of her class any time soon, and athletically, the schools she attended had little to offer her outside of basic physical education. So, the competitive spirit was limited to the occasional game of baseball, football, or sevens rugby--all of which, she was invariably picked last--and instead festered into more of a sense of resentment toward her peers and, indeed, much of the world in general.
Noticing their daughter’s depressive yet competitive spirit, but wanting her to focus on a normal life, Miharu’s parents had done everything in their power to hide Kazuma’s actual job from Miharu, instead telling her that he travelled all through Japan on various “business deals,” without going into too much detail about what those deals were. It was only at the age of 15, while flipping through the channels late one night that she discovered her father, in ring, winning a match after hitting a stalled brainbuster.
The very next morning, Miharu confronted her parents, wanting to train as a wrestler. Initially skeptical, Kazuma acquiesced to his daughter’s request, allowing her to attend one training session at a local Joshi Dojo, against his better judgment, so long as she allowed him to accompany her--in theory, this was to simply keep an eye on his daughter; in truth, Kazuma was afraid his daughter’s bitter, combative spirit would translate to the ring.
And translate it did.
Miharu became enamoured with wrestling almost immediately; the very first time she took a punch in the ring, her lip split open, and she flashed the biggest smile her father had ever seen, blood in her teeth and all. She took the punishment, she took the training, and left the dojo after her first session convinced it was what she wanted to do with her life. Kazuma and Ayumi refused to allow her to go back until they discussed it amongst themselves. Ayumi, in particular, did not want her daughter to follow in Kazuma’s footsteps, and refused to allow her to enroll in the dojo. After months of pleading, begging, cajoling, and everything she could possibly do, on her 16th birthday, Miharu was finally given both permission and funding to enroll in the Nagano Joshi Puroresu dojo.
Expecting the same treatment she got on her first session, she was embarrassed to discover that most of her classmates could barely take the punches, let alone dish them out. While she knew it was what she wanted to do, the illusion that her combative nature could finally be useful to her instead gave way to her being overly aggressive with her classmates, more than once breaking a fellow trainee’s nose because the other girl wasn’t defending herself. Miharu huffed when her trainer threatened to expel her if it happened again.
And it did.
And she was expelled.
She soon became akin to her father, a journeywoman through Japan, training where she could and competing where she could, but never having truly completed training, and having a reputation as being difficult to train and harder to control, she was never truly settled anywhere. For a brief time, she was an integral part of the GFP organization, winning the Junior Tag Team Championships on 3 different occasions, and the Garbage vs Pure promotion, where she was a 4 time Most Brutal Champion. However, in recent months, she's reverted back to a freelancer after a brief excursion to EXODUS Pro Wrestling to compete in the annual Honor Cup tournament.
BIOGRAPHY
---------------
Miharu Ishikawa was born on 19 June 1991, a full month ahead of when she was due, to journeyman wrestler Kazuma Ishikawa and his wife Ayumi. Her premature birth resulted in Miharu being considerable smaller than the rest of her friends and classmates. At first, it was treated as something cute, she’d get teased a bit but nothing more; as the years passed and her friends grew, while she didn’t so much, it quickly became less teasing, more taunting the diminutive girl...which, in turn, led to Miharu developing a sense of competition in everything--academics, athletics, it didn’t matter. Miharu was determined to be the best at it.
Unfortunately, academically, she was never tremendously bright...not dumb, but not going to be top of her class any time soon, and athletically, the schools she attended had little to offer her outside of basic physical education. So, the competitive spirit was limited to the occasional game of baseball, football, or sevens rugby--all of which, she was invariably picked last--and instead festered into more of a sense of resentment toward her peers and, indeed, much of the world in general.
Noticing their daughter’s depressive yet competitive spirit, but wanting her to focus on a normal life, Miharu’s parents had done everything in their power to hide Kazuma’s actual job from Miharu, instead telling her that he travelled all through Japan on various “business deals,” without going into too much detail about what those deals were. It was only at the age of 15, while flipping through the channels late one night that she discovered her father, in ring, winning a match after hitting a stalled brainbuster.
The very next morning, Miharu confronted her parents, wanting to train as a wrestler. Initially skeptical, Kazuma acquiesced to his daughter’s request, allowing her to attend one training session at a local Joshi Dojo, against his better judgment, so long as she allowed him to accompany her--in theory, this was to simply keep an eye on his daughter; in truth, Kazuma was afraid his daughter’s bitter, combative spirit would translate to the ring.
And translate it did.
Miharu became enamoured with wrestling almost immediately; the very first time she took a punch in the ring, her lip split open, and she flashed the biggest smile her father had ever seen, blood in her teeth and all. She took the punishment, she took the training, and left the dojo after her first session convinced it was what she wanted to do with her life. Kazuma and Ayumi refused to allow her to go back until they discussed it amongst themselves. Ayumi, in particular, did not want her daughter to follow in Kazuma’s footsteps, and refused to allow her to enroll in the dojo. After months of pleading, begging, cajoling, and everything she could possibly do, on her 16th birthday, Miharu was finally given both permission and funding to enroll in the Nagano Joshi Puroresu dojo.
Expecting the same treatment she got on her first session, she was embarrassed to discover that most of her classmates could barely take the punches, let alone dish them out. While she knew it was what she wanted to do, the illusion that her combative nature could finally be useful to her instead gave way to her being overly aggressive with her classmates, more than once breaking a fellow trainee’s nose because the other girl wasn’t defending herself. Miharu huffed when her trainer threatened to expel her if it happened again.
And it did.
And she was expelled.
She soon became akin to her father, a journeywoman through Japan, training where she could and competing where she could, but never having truly completed training, and having a reputation as being difficult to train and harder to control, she was never truly settled anywhere. For a brief time, she was an integral part of the GFP organization, winning the Junior Tag Team Championships on 3 different occasions, and the Garbage vs Pure promotion, where she was a 4 time Most Brutal Champion. However, in recent months, she's reverted back to a freelancer after a brief excursion to EXODUS Pro Wrestling to compete in the annual Honor Cup tournament.
--------------------
MISCELLANEOUS
--------------------
Taunts (Up to 3):
Less of a taunt, but Michiko often either doesn’t care about her opponent or doesn’t take them seriously. She’ll come to the ring with alcohol, and if she absolutely feels arrogant, she’ll spit it in her opponent’s face.
Notes (Up to 3):
Michiko isn't your typical wrestler. She isn't a title-chaser, she could go her entire career without winning a title and be content so long as she gets to fight people. The fact that she's generally good at fighting has led to her winning several titles, but an opponent would be more likely to get under her skin by challenging her to a fight than flaunting a title.
MISCELLANEOUS
--------------------
Taunts (Up to 3):
Less of a taunt, but Michiko often either doesn’t care about her opponent or doesn’t take them seriously. She’ll come to the ring with alcohol, and if she absolutely feels arrogant, she’ll spit it in her opponent’s face.
Notes (Up to 3):
Michiko isn't your typical wrestler. She isn't a title-chaser, she could go her entire career without winning a title and be content so long as she gets to fight people. The fact that she's generally good at fighting has led to her winning several titles, but an opponent would be more likely to get under her skin by challenging her to a fight than flaunting a title.
